la femme sensuelle by Patrick Taylor

John Cappello 01 Jan 2014

LOVELY COLORS ASTONISHING TECHNIQUES SO WELL PRESENTED ! YOU SURE ARE A VERY TALENTED ARTIST

Cristina Andrisan 04 Jan 2009

You are so talented than I have no words!

Anonymous Guest 29 Jul 2008

i'd love to be her, so PURFECT

justin mroczkowski 16 Apr 2007

I might agree with Tom if he had said to use "more paint" as more of a tool to direct the viewers attention and only then because I'm a fan of strong contrast but in this instance your subject, technique, and tones hold my attention very well, haha I keep looking back even as I type this, excellent work Patrick I love it.

Andrea Latina 12 Apr 2007

beautiful

Mirek Antoniewicz 10 Apr 2007

beautyful work

Anonymous Guest 09 Apr 2007

Full of soft lines and thick atmosphere. The painting creates such warmth and tenderness that you want to hold it to you closely. -Markus

William Boyer 08 Apr 2007

wowzer

Artist Reply: Thanks William

Janet Gioffre Harrington 08 Apr 2007

truly a MASTERPIECE. NOthing less.

Artist Reply: Thank you Janet. I truly appreciate your comment.

Tom Oddo 08 Apr 2007

nice, but as the closeup shows: need more paint.

Artist Reply: Thanks for your comment Tom, but please explain what you mean by "need more paint". In the hair...the highlits Are paint and sometimes the artist will allow the underpainting to show through to give the impression of highlights or mid tones. Look at David Leffel, Ramon Kelley, Howard Terpnings works for this very classic and traditional technique. As in all paintings...they are studies and all are to learn from so, I will take your remarks to heart and be more observent in my next piece. Thanks again.

Patrick Boyle 08 Apr 2007

very beautiful!!!!

Artist Reply: Thanks Patrick, glad you liked her.

Jerry 07 Apr 2007

Great lighting and colors!

Artist Reply: Thank you Jerry, She ws, indeed, a pleasure to paint. Wanted a more broken up background, against her soft skin. It was a great play of warm tones in the shadows and cools in the highlights.