Adesina Adegbite

Nigeria
Follow E-mail Website

Bio

HE IS ALSO A PHOTO ARTIST WHO MAJORS IN CAPTURING CANDID SHOTS FROM THEATRE PARLANCE. THESE PIX ARE OFTEN USE FOR LOCAL AND INTERNATIONAL EXHIBITION. IN 2004,HE WAS SELECTED FROM NIGERIA TO EXHIBIT PHOTOS ON THE NEED FOR PEACEFUL COEXISTENCE., AT THE... Read More

Recent Feedback

	30 Jan 2025 The image titled "Culture" by Adesina Adegbite captures a vibrant scene featuring a group of young women dressed in traditional African attire, engaged in what appears to be a cultural or communal activity. The setting suggests a stage performance or a reenactment of a traditional ceremony, possibly depicting an aspect of African heritage, customs, or rites of passage. The women in the image are wearing brightly patterned fabrics, indicative of West African fashion, which often incorporates intricate designs and bold colors. The central figure, a young woman in a yellow and blue patterned dress, appears to be the focal point, with the surrounding women interacting with her—some touching her hair, arms, and face in a manner that suggests guidance or initiation. The woman to her left, dressed in green, seems to be performing a significant role, possibly a maternal or elder figure leading the ritual or event. The expressions of the women vary—some appear serious and focused, while others display curiosity or quiet contemplation. This variation in expressions and body language suggests that the scene may depict a moment of transition, instruction, or cultural education, where younger women are learning or undergoing a traditional practice. The title "Culture" reinforces the idea that this moment is deeply rooted in tradition, likely portraying a significant event such as a coming-of-age ceremony, a preparation for marriage, or a communal gathering that emphasizes female solidarity and heritage. The setting, with minimal background distractions, keeps the focus on the women and their interactions, further emphasizing the cultural significance of the moment. Overall, the image is a rich visual representation of African traditions, highlighting the importance of communal experiences, oral traditions, and cultural preservation through generational interaction. - Anonymous
	30 Jan 2025 The image appears to be a stage backdrop or wall mural with a dramatic and unsettling artistic depiction. It features a large knife dripping with blood and a dark, tangled structure resembling a head with long hair. The scene is painted on a blue wall, with an adjacent section having a brick pattern. The setting seems to be an indoor or semi-indoor space, possibly a school, community center, or theatrical stage. The caption "CONDEMNABLE!!!" and the author's name, Adesina Adegbite, suggest a strong critical stance against whatever is depicted. The word "condemnable" implies something morally or socially unacceptable. The painting's violent imagery—especially the bloody knife—hints at themes of violence, murder, or oppression, possibly making a statement against such acts. The signature "Sina Adegbite, 2003" at the bottom of the image suggests the artwork was created in that year. The setting, style, and materials used indicate that this might be a piece of stage or performance art aimed at conveying a strong message to an audience. Given the title, it is likely that the image was meant to raise awareness or criticize an issue such as crime, domestic violence, or ritual killings. The use of bright colors, particularly the blue background, contrasts sharply with the dark and violent imagery, emphasizing the horror of the scene. The presence of the knife and the eerie head-like structure suggests themes of horror, tragedy, or cultural critique. This type of visual representation could have been part of a stage drama, advocacy campaign, or artistic protest. In summary, the image is a striking piece of visual storytelling meant to provoke thought and discussion. Its dramatic elements, combined with the title, suggest it is part of a broader narrative condemning violence or injustice. - Anonymous
	30 Jan 2025 The image titled "TIME TO PRAY...?" by Adesina Adegbite captures a moment in a bustling street market, where a vendor sits under a large umbrella beside a tray full of apples. The vendor, dressed in a white top and a patterned wrapper, appears to be bowing their head in prayer or deep thought, creating a striking contrast between the demands of daily survival and moments of spiritual reflection. The setting is an open-air marketplace, likely in Nigeria, given the artist's background. Various market stalls and makeshift canopies are visible in the background, along with a signpost listing different business names. A bicycle or wheelbarrow leans against a structure, possibly used for transporting goods. The warm, slightly faded tone of the image, combined with its natural lighting, gives it a nostalgic feel, emphasizing the simplicity and struggles of everyday life. The focal point of the composition is the vendor’s posture—head bowed, hands possibly folded, under an umbrella that provides shade from the sun. The title of the artwork, "TIME TO PRAY...?", raises questions about the intersection of faith and labor. Does the vendor find solace in prayer despite financial hardships? Is the moment a brief pause from the exhausting routine of selling goods on the streets? The presence of fresh apples, neatly arranged in a large tray, symbolizes sustenance and the pursuit of livelihood. Yet, the vendor’s body language suggests introspection, highlighting the delicate balance between material needs and spiritual fulfillment. This image tells a story of resilience, faith, and the quiet moments that exist even in the busiest of places. It invites viewers to reflect on their own moments of pause amidst daily struggles and responsibilities. - Anonymous
	30 Jan 2025 The image titled "DEPRESSED!!!... ISN'T IT AVOIDABLE?" by Adesina Adegbite captures a scene from a stage performance in Nigeria. The play, as indicated in the description, highlights the importance of harmony in African societies. The composition consists of four actors, each displaying different body language and emotions, which suggest themes of conflict, sorrow, contemplation, and perhaps resolution. The foreground features a man in traditional Nigerian attire, sitting with his hand resting on his chin, seemingly deep in thought or conversation. His outfit, which includes a patterned agbada and cap, suggests he may be portraying a figure of authority, wisdom, or seniority within the play. To his right, a woman in a white-patterned blouse and green wrapper sits with a despondent expression, her posture conveying sadness or worry. She holds a small object, possibly a flower, which may symbolize hope, love, or loss. In the background, two more characters contribute to the dramatic tension. One woman, dressed in a green and gold outfit with an elaborate headpiece, appears to be weeping or in distress, with her hands covering part of her face. Behind her, a man in dark clothing stands with his hand on his chin, adopting a posture of deep contemplation or judgment. The stage setting is simple, with a floral-patterned backdrop that provides a theatrical yet intimate atmosphere. The actors' positioning and expressions effectively communicate emotional depth, making it a thought-provoking performance. The play’s theme of harmony in African societies suggests a social message—perhaps addressing familial conflict, mental health, or community disputes. The photograph captures not just a theatrical performance but a reflection of real-life struggles and emotions, emphasizing the need for understanding, compassion, and unity in African cultures. - Anonymous
	30 Jan 2025 The image titled "ON THE ROCK 2" by Adesina Adegbite captures a roadside scene, presumably in Lokoja, Kogi State, Nigeria. The composition focuses on a small roadside stall where a person, likely a vendor, is seated under a makeshift umbrella. The vendor appears to be engaged in an activity, possibly selling or preparing food. The table in front of them holds various items, including a bottle of water or soft drink and some packaged goods. In the background, a large billboard advertising a TV Game Show can be seen, featuring a blue-colored design with an image of a mobile phone. The presence of this billboard juxtaposes modern marketing against the simple, everyday livelihood of the roadside seller. The area surrounding the stall is somewhat rural, with visible greenery and a dirt-covered roadside, hinting at the semi-urban nature of the location. The umbrella over the stall is old and patched up, indicating prolonged use and exposure to harsh weather conditions. This suggests that the vendor relies on the stall for their livelihood. The setting is modest, with a wooden stool and a small table serving as the primary workspace. The photograph encapsulates a slice of everyday life in Nigeria, highlighting themes of resilience, informal economy, and the contrast between urban development and grassroots businesses. The choice of perspective by the artist suggests an appreciation for the simplicity and struggles of local vendors, making it a socially conscious piece. - Anonymous

Artist Groups (1)

Adesina is a member of the following groups:

People