.please criticises this drawing so I can learn more from you . 10x
It is a poor escuse for a picture but I don't have the means for a better one :( (don't know to right that well in english . sorry)
Reply
While I'm not a portrait artist, a couple of things I suggest is that "her" right eye is too far into the corner and her ear is too small (also enlarge the hole in her ear).
Other than that, I think it's a lovely portrait of a beautiful woman. Ann
I can also see you have a feel for sensitive lines and you create the soft edges really well. This shows you are interested in line and form, more than just trying to capture a likeness.
You have a good ability that can be developed by continuing to draw regularly and feeling the subject as you draw with a combination of hand and eye.
Try to find a direction to go into with style. many artists like to just use line instead of shading, such as the Austrian master Egon Schiele. The attached image shows the way he created form and weight of body by using line and no shading.
A weakness I see in your drawings is the use of quick shading. It needs to give a sense of more than just tone, it needs to create the illusion of surface and texture also. Rather than smudge with shading try to use a cross hatching effect or a distinctive use of subtle marks, as in the second attached master drawing.
I do agree with Ann about the right eye. The nose is looks flat to me. And in my opinion the lips line is to long.
Eye pupils are PERFECTLY round. Use a tool for this if your hand skills aren't up to it.
The hair shold be shaded so as to indicate the flow of the follicles from the head outward, like rivers. Use more line work to build up the texture here and don't worry so much about color until you have a basic structure first.
You seem to be smearing rather than building pencil tone evenly. Avoid that whenever possible. It makes the drawing look "dirty" instead of purposeful. Work the pencil tones layer upon layer. Use gloves or a tissue paper to rest your hand on when doing this to avoid the smearing of the pencils. Also, if you are using a "B" softness in your leads, you might want to try a harder lead to avoid this smeared look. A 2B is, for example, MUCH harder than a 6B. Experiment until you find what works for you, but try to have a light hand in using them.
Make sure your hands are really clean and also experiment with different paper. Some paper has a strong "tooth" or texture, and picks up pencil easily but lends itself to a rough look whereas other paper, called plate finish, is smooth and lends itself to a smoother look.
Finally, great pencil art has a full range of tonal value, from very light tones to black tones (some people actually use ink for this). The use of full tonal values adds to the realism of a piece as, in the real world, objects usually show a full range of value.
Other than these suggestions, your art shows great promise. I recommend you use a projector also, to get down the initial composition. I know you may think of this as "cheating" and its true that you need to learn proportions and basic stuff as you learn to draw, but the tracing of images is a traditional method of learning and can "teach" a hand as well as any other technique. With the projector, you can concentrate on shading and tonal value as opposed to where everything goes and you can gain self-confidence as well.
Good luck, though and keep going!
Looks good!
M
hope that helps : )
A Friend in Art W James Taylor
More shading to the face and neck is needed.
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