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31 December, 2020

2021

May everyone have a Happy, Healthy, Creative and Prosperous 2021! Cheers, MAL

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27 December, 2020

What will 2020 produce "that can never be repeated?"

"Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated." Wassily Kandinsky...

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15 December, 2020

Personal Favorite vs the Market's

Any good stories about how a personal favorite work didn't do well in the market, but an unloved 'B Lister' caught the eye(s) of a buyer(s)? I unearthed some older works that had been put aside as being too outside my style or comfort zone, but th...

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25 September, 2016

abstract expressionists artists

Abstract expressionists emphasized the process of painting, by allowing evidence of the artist’s gestures to remain visible on the canvas surface. abstract expressionists artists emphasized the painter’s gesture, or brushstroke, and the physical qu...

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25 September, 2016

Louise Nevelson

The wooden sculptures of Louise Nevelson also reflect the all-over compositions of abstract expressionism. Nevelson took ordinary objects, contained them within tightly organized geometric frames, and painted them a single color, usually black. By re...

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03 September, 2010

Manouchehr Yektai

Manouchehr Yektai (1922_Iran) solo exhibitions: 1949: Woodstock, New York. * 1951, 1952, 1953: Grace Borgenicht Gallery, Inc., New York City. * 1956: American Associated Artists, NYC. * 1957, 1958, 1961, 1962...

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12 August, 2010

Hans Hartung

Hans Hartung (1904-1989) French painter of German origin, known chiefly for his abstract style, consisting of black lines resembling calligraphy, executed on intensely colored backgrounds.

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12 August, 2010

Willem de Kooning

Willem de Kooning(1904-1997) Dutch-born American Artist, De Kooning was born in Rotterdam, the Netherlands. whose work is characterized by energetic brushstrokes and twisted forms, and by an ongoing dialogue between human imagery and abstraction. ...

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