Those that uncover what they believe is a bible code seem to find what they are looking for. What is interesting is that when they do a query and find a good match, the words are often right next to each other. Sometimes the words have no gaps modern words that seem odd - located in such an old text. Why do these large obvious words and couplings not stand out more until looked for? How is it that code has room for a bible code, without all of the code's answers interfering. It seems to embody every thing and nothing.
In this way the bible reminds me of a few divine peaces of art I've seen, and a few that I've made. Like the bible, this art is so balanced that that there is not one mistake or unbalanced part that distracts one's perception while looking at it (or listening to it in the case of music). Yet, while absent of a single overpowering item, works of art like this seem to reflect an endless stream of items.
Not all great art is 4 dimensional, but all 4dimensional renderings are great art. What is great art? How do you know when you are seeing it? Have you ever had that feeling inside your gut when you made a certain decision, or met a certain person, where it felt like it was meant to be. Where it feels so clear that it almost feels like dj vu? That's great art. You look at it and nothing in it's elements are misplaced or missing. And, while experiencing the art, or the song, or the person, you cannot imagine how it could nor should be changed in any way perfect truth no false moves no lies.
The only way to intentionally produce this, is by removing yourself from the process. That is why it is so rare to see the pompous create great art: it demands complete humility to be able to step out of the way and not distort what is there so you can claim responsibility. To make this art, one needs to let the divine come visible. Must apply what's there and nothing else. Much more rare than great art, is 4th dimension great art true pathways to the divine. To make the great art 4D, one must be able to paint what's there, yet balance the elements not only within a frame, but must balance all the frames, all the aggregates, all the antecedents, all the moments.
This is not an easy task; however, it is not as difficult as one might think either. This is where a lot of smart artists go wrong, they have such esteem of their intellect, that they try to build it themselves. This will never work transcendent art is by definition not cleverly thought up. And, the infinite, inter relation would be impossible to design without limiting.
But, developing perception to absorb the information, and, developing the energy and skills to record 4d divine, is hard enough. The way it is done, is by "breathing" dabs of life onto the vision, never painting from ones knowledge of form, never listening to those idiot college art teachers that try to sell you on the notion that art is all about sketching forms, and approaching that way art is about vision and passion and communication, not about self-centered, limited, form reproduction. Art should not reproduce anything. True art puts a sheet over the ghost. That's all
David R Wallace 22 Aug 2011
Discovering the artistic endeavor of Conscious impressionism: from Actualism - to ActualD - to right now.In the presents of white(regular) light, a polychromatic light source is at work - directing many individual wavelengths (colors) from which we can distinguish between and use to judge planes (distances) B) In the absence of light, or, given only a monochromatic light source, only one plane is observed. In terms of light, a plane is defined by waves of similar or identical wavelengths, which may posses varying amplitudes. A form in a given plane is perceived from an ordered variance in amplitude. From this: (1) Planes (depths) are created with hue, and, (2) individual planes, can be organized to equal one overall plane, where the hues (wavelengths/color) of each little plain combine to project the spectrum of the greater plane, and the averaged amplitudes of the sub-planes contrast each other to convey an overall form embedded into the overall plane.
Yes this is similar to techniques like that used for Dali's Lincoln; however, Dali's Lincoln was constructed where as an actualized impression is envisioned. If the conscious state is impressed right, just like with certain Leonardo Da Vinci works, one form plane will not disrupt the perceived information on other planes - just as one thought or vision in the mind, gives way to an unlimited variety of subsequent or deeper, visions and thoughts. The technique of this art form was already under development long ago, with the work of da Vinci. Conscious impressionism seeks to further develop this method, understand what may have been da Vinci's goals and purpose for the method, and ultimately, using all that can be gained from discovering the mystery of Da Vinci's psychic impressionism, to further enlighten and glorify the nature of art, towards truer and truer recording and sharing of each other's conscious realities.
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