Native from Mexico City, born in the year of 1969, resides in a permanent way in was city, his initiation in the painting and sculpture being in a lyrical way starting from the year of 1987.
In 1990 it begins classes of painting with the teacher and painting Roberto Roque, learning diverse technical as they are: chark coal, tints, carbon, oil, among other techniques, until the year of 1994.
In 1991 it enters to the School of plastic arts and Handmade of the I.M.S.S., Unit Independence, where he/she begins in a formal way in their sculptural production, until the year of 1992.
In 1992 it begins to collaborate in the sculptor's shop Ricardo Ponzanelli, where he/she learns the foundry processes in brass to the sand and lost wax, besides collaborating with the sculptor Ponzanelli in the monumental works , until the year of 1995.
In 1995 it collaborates in the Unit of Civic Participation of the H. Camera of Deputies as coordinator of plastic exhibitions of the same Camera, until the year of 1997.
In 1999 it designs the posters of the General Human Resources of the H. Camera of Deputies.
Hhas carried out more than 18 exhibitions among singular and collective in Mexico and the foreigner, highlighting their participations in the Expo Seville (Spain), Collective of Mexican Artists in the House of the Culture of Mexico in France (Paris), Collective of Mexican Art in Buenos Aires (Argentina), as well as diverse exhibitions in Mexico City.
In the environment of public work is the bust in brass of the Emerit Lawyer Ignacio Burgoa Orihuela the which fué develaded in 1997 in the main headquarters of the National Bar of Lawyers, in 1998 the square "The Times of the Xólotl", located in the room of meetings of the Federation Mexican Canófila and in 1999 the square "Death and Redemption" in the Library of the same headquarters an 2003 the square "Voyage to Mictlán" for the same place.
The plastic work of LVCCA speaks to us of the human being internal worlds, expressed of real way, the unconscious and the subconscious one, it leaves fundamental of each human being, reflecting anguishes, yearnings, pleasures among other feelings that are hidden and they leave to glitter through this Mexican artist's work, depending on what each spectator houses in his mind.
The work of LVCCA doesn't need to be explained, a direct talk should simply be begun among the spectator and the work, its plastic expression it is subjective, for what each expectator will give a different meaning, according to its perspective, the which makes us meditate and in some cases we can understand a little more than what we are.
"The art perpetuates the creative ecstasy and the expansion of the soul"
