• Sajjad Ahmed
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Doppelgänger (I)

Framed within Constructed Realism, this artwork isolates a triptych of airplane windows to deconstruct how humanity experiences the sublime within standardized spaces. By stripping away external context, the minimalist composition transforms these rigid, utilitarian portals into simulated atmospheric gradients. This deliberate abstraction removes the passivity of travel, turning a curated reality into a site of internal tension and quiet, serendipitous discovery.

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