This soft pastel on charcoal paper drawing of a woman was a sacred geometry evolution. The arc that defined the shape of her head radiated across the sheet. Things like that happen but not abruptly. The process reveals one part and then another. The image builds but I don't know it all until I get the feeling that it is completed. The man to her left gave me the impression that he was very focused and powerful. His eyes were clear. I had to look closely to see the being in the middle of his head. His mouth can appear two ways: either closed as if he were a sea bass, or open from which the blue pours forth and runs through the landscape. The complete and implied structures suggest a unique architecture. This drawing was created during The Ring channeling by candlelight. I signed this one, as well as others, with the initials AQA, my soon-to-be new name.