The works of this collection are painterly reproduction of some post-mortem photographs. But the remarkable thing in doing the job with paint brush and color is trying to get a surplus on what was already captured by the camera. Perhaps a surplus like an "inexplicable aura", "A visual charisma that the concept of death has been trafficked in it", a surplus in order "to refer to the relevance between painting and photographs, and the boundary between them.", or maybe it is something that has no residual but the foot/ brush print of creators which has remained in the final works.