David Olsen

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Artist Bio

Artist Statement

My name is David Teng Olsen. I am 30 years old and originally from Seattle, WA. I received my Bachelors of Fine Arts at the University of Washington. Before I entered graduate school I had the fortunate experience of studying in Rome and Taipei. As an undergraduate I spent over 5 years studying Bioengineering, which has a large influence on my artwork. During my time as a Bioengineer I illustrated and designed a Bioengineering text book that is now the required text for Bioengineering classes at Stanford, Berkley and UC Davis to include a few.

The world of science intrigued me very much but I was disenchanted by the compartmentalization of the field and how little there was in the way of freedom to choose the ideas that I wanted to explore. Instead, most of the research went toward developments dictated by modern culture such as obesity, and sexual prowess; subjects I was not necessarily excited to research. I came to the conclusion that Art would be a better venue to thoroughly explore the science that intrigued me and bring it into a different light. As a scientific illustrator I was fascinated with the idea that the concepts I was illustrating had never been described before as visual objects. Rather, they only existed conceptually as mathematical formulas and theory. Because of the unique position I was in, the ability to understand the concepts being conveyed and interpreting them as visual objects, I found a vast fountain of inspiration and knowledge from which I could create both paintings and sculptures. From simple two and three dimensional forms, using a contemporary vernacular, I had the ability to describe these complex theories, believed by many to be the mechanisms of life, into easily to distinguished characters and forms that create environments which anyone can explore and see clearly; a diagram that describes many functions of the internal microscopic world that exist in every complex living creature.

My goal is to continue to explore these relationships between science and art. I imagine creating many more of these visual environments that investigate and evolve from scientific and visual research. From these installations, I want a dialogue to occur between the fields of Science and Art, where today there is little to none. Both fields could only benefit from one another.

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