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Does it really matter what I meant when I painted it? Or is it more important what you see in it? Each should be a meditation. There is no precise meaning- only a departure point. Here are a few:
1: INCUBUS The male sexual spirit that visits women in their dreams.
2: CEREAL KILLER A play on Andy Warhols' soup cans, the complete title is Cereal Killer- Prisoner of Consumer Culture.
3: DEPERSONALIZATION The reverse of people without clothes- clothes without people. A social comment on appearances.
4. REQUIEM (FOR CULTURAL DIVERGENCE) That diversity grows in isolation and becomes lost in the synthesis of contact.
5. RAINING BABIES The beauty of children and the threat of overpopulation.
6. THERE GOES THE NEIGHBORHOOD The Walmart effect and the destruction of Main St. America.
7. EMPTY FRUIT Anticipation is greater than Realization
8. BLOWN AWAY, BY THE WINDS OF CHANGE This is my 9/11 painting.
9. PIGGY BACK This one is about people trapped in their self concepts, united by circumstances in competition with others.
10. MIDWAY The city as the "Big" Carnival
11. LEGACY Leaving future generations to clean up the mess
12. ADAMS APPLE Truths within truths. The fruit of the Tree of Knowledge, the cessation of life within the moment that began with that bite, when man became a seeker.
13. 25 CROSSES Is a very personal painting for me. Each cross represents one year of my prison sentence. The man-tree is trying to move ahead but rooted in the rubble of his life- the chasm of past and future- the various implications of the cross: torture, moral judgement- the crisis of personal suffering. Yet, the single leaf at the tip of the man-tree represents life, hope- salvation.
Many of my paintings, still lifes, landscapes, underwater scenes are meant to be eye candy. I sometimes feel that perhaps my style is too broad, but I am not a one trick pony.
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