As shows my observation, the general tendency of the modern art became forced game with imagination of the audience. The artist doesnt like to open his own world, but tries to reflect his "world surrounding", he plays with the soul of the audience. Art becomes a monologue not the artist bearing the information, but carrying out a role of the listener of the audience, asking again and again - "what you can see here?". Masters of the Middle Ages, such as Durer, built the works on dialogue, or, lets tell you more precisely, a monologue with the spectator where the figure of the master became a predominating role.

As the artist I am always looking for the place between the concept of old masters where each detail in work bears the semantic meaning, and a modern tendency, forcing the people to think. In my works I try to code the visual text through symbols and associations. Creation process of each of my work passes a long stage of construction. I don't like casual and spontaneous in the artworks, as well as needless emotional. In my opinion it results chatter in the language of the artwork. I try to operate with extremely clear and recognized objects and subjects to create the story which will be changing like chameleon depends from spiritual and life experience of the spectator. These objects are words for me. So, for example, in my work one person will see simply the pears, well recognized subjects of meal, nothing more, and it will be fully enough for the first level of perception, further there is a following story which should be born in consciousness of the spectator on the basis of the learned subjects with inclusion of associations and closely consecutive supervision over "mutual relation" of parts of the composition. On the basis of pears will be born, probably, the story about tragical love, probably, sex and, if you want, also a thriller...

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