Probably breaking at least two artistic rules in the book, this composition is split dead in half and also has a focal point right in the centre, but rules are made to be broken and it seems to work fine, nonetheless. (I’ve just noticed that the previous painting also broke said rules). A sunnier version than ‘Reculver rocks II’, but the same ‘dryish brush on rough paper’ effect for the rocks. Winsor and Newton watercolour on The Langton 300gsm (rough) paper.
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