• Michael Cook
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  • Added 03 Apr 2006
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Day of Reckoning

On this broad, windswept plain, the edge of the world glides out to sea; the sun emerges from its cloudy prison, and from this day forward, life will never be the same... ©2006, Michael Cook

10 Comments

Anonymous Guest

Ann 24 Feb 2012

Those pink cliffs are just amazing! Beautiful reflections. Beautiful painting!

ruth sears 18 Jul 2010

you are a true master with pastel.

James Mann 26 Jan 2008

Amazing light. Love your work.

Christine brand 20 Aug 2006

goodness Man...this is a dream...I thought it was an oil...

Artist Reply: Yes, it is/was "a dream"... Yet somewhere, back there on the Western edge of the continent, it still exists.... only time and circumstance since has turned it into a dream...

Nelly van Nieuwenhuijzen 08 Jun 2006

impressive beautiful! like a dream! the light is marvellous!!

Artist Reply: Thanks, Nelly! You've found some of my favorite places.

Regina Calton 01 Jun 2006

Wonderful colors and depth - nice piece!

alan frazer 14 May 2006

Superb pice of work.

Betty Schwartz 19 Apr 2006

As a lover of the sea and its many moods, I find this mist laden impression most pleasing!

Artist Reply: Thanks, Betty (and everyone else who took the time to comment). I very much appreciate the nice reviews!

thea walstra 03 Apr 2006

Gorgeous work

Chas Sinklier 03 Apr 2006

Wonderful aerial perspective and fine use of pastels - I'm always envious of those who can stand to work with pastels and then do beautiful work with the medium - superb Michael :0)

Artist Reply: Thank you, Charles, for taking the time to write a comment. Aerial perspective is one of the things I've worked on a lot--and hope I'm making progress with that! (Maybe in an esoteric sense, too! :) As for the medium itself, it's not that difficult at all, environmentally. It's just important to have good ventilation, work with pastels that don't crumble (and are inhaled!) easily, "dump your sheet" frequently, and don't waste yourself (or your lungs) by using fixatives. I use none of them now, and after years of experimentation, have decided that it's not worth the risk. You can get great effects without those &*!!$%%& "pesticides"! This causes problems at the other end, however, of getting things to market that are so fragile... but if they're properly matted and framed, NOT using fixatives is not that big of an issue. I've even found ways to send them safely unframed, in special foamcore sheeting. I encourage every artist to take up the pastel medium, because I think it represents a nice interface between drawing and painting.... it's a little of both, and can produce amazing results which neither alone can do. Best regards, Michael