his works are his way of preserving what is left of the Malay culture, when not very far into the future, will be replaced by imprersonal and gargantuan buildings. The next generation will never know any differenct, but thanks to AnuarDan and other artist with similar love for culture, they have seen it that proper documentation is done. Although these domains may one day no longer exist, its beauty is immortalised for all to withness. His paintings are metapohors of a pending future nothingness, of a society, which functions on logic and practicality, where aesthetics are mere distractions and the persuit of wealth is dominant. These are trouble times, when the sense of common grounds is compromised and etiquette of preserving culture is lost somewhere in between.